California Schemin: Movie Review

An amusing and fun story of Scottish rappers.

James McAvoy is making his directorial debut with a based on a true story that I would love to say is too crazy to be true, but instead, it’s the exact right level to be believable. Two rappers from Dundee, Scotland who are desperate to be famous with many cold calls going unanswered finally land an audition for a talent scout from London (or as Billy says “London, England? Where the English people are?”).		2025 Directed by: James McAvoy Screenplay by: Elaine Gracie, Archie Thomson Based on the story by Gavin Bain and Billy Boyd Starring: Seamus McLean Ross, Samuel Bottomley

It Would Be Night in Caracas: Movie Review

A unique and powerful film about identity and the war in Venezuela.

The power of It Would Be Night in Caracas sneaks up on you. A story so important and universal, you very slowly get more and more enraptured until you’re left shaking marvelling at what you have just watched. It’s a story that affects approximately 8 million Venezuelans living in exile that the rest of the world might not realize the depths of the horror because it is not actually considered war, even though that is exactly what it is.		2025 Directed by: Mariana Rondón, Marité Ugas Screenplay by: Mariana Rondón, Marité Ugas, and Karina Sainz Borgo Starring: Natalia Reyes, Edgar Ramirez

Mile End Kicks: Movie Review

A sweet and genuine rom-com that becomes tiring instead of funny.

Grace (Barbie Ferreira) is a young, idealistic music critic who is moving from Toronto to Montreal to make it big and because Montreal is cool and Toronto is not cool. That’s me paraphrasing the main character who is as immature and self-absorbed as coming-of-age rom-com heroines are. There’s a reason this type of low-confidence but high-selfishness protagonist is popular – because they’re funny.		2025 Directed by: Chandler Levack Screenplay by: Chandler Levack Starring: Barbie Ferreira, Stanley Simons

Ghost School: Movie Review

A wonderfully engaging story which pairs the supernatural belief with real-life corruption.

10-year-old Rabia (Nazualiya Arsalan) is getting ready for school and remarks that her uniform is too short. They don’t have money for a new one, so just rip out the bottom hem stitches and it will appear longer, her mother suggests. That works for Rabia, a very sweet, courteous and inquisitive young girl who loves school. When she arrives at school, it’s closed, an official is telling everyone that the teacher has fallen ill because the school is haunted so it has to shut down.		2025 Directed by: Seemab Gul Screenplay by: Seemab Gul Starring: Nazualiya Arsalan

Noviembre: Movie Review

Historical chaos.

For Colombians or for anybody with a personal connection to the November 6, 1985 Palace of Justice siege, Noviembre is likely a very powerful movie. However for the rest of us, this is just a chaotic capture of one moment in history with a lot of screaming and crying for an hour and a half. I would love to paint you a clearer picture, but there really isn’t one – both on purpose and to the detriment of the film.		2025 Directed by: Tomás Corredor Screenplay by: Tomás Corredor, Jorge Goldenberg, Xenia Rivery Starring: Santiago Alarcón, Natalia Reyes

Freakier Friday: Movie Review

A fun sequel with more chaos.

One of the hardest parts of creating a sequel 20-plus years later is recognizing who the target audience is. Is it for the same audience who are now 40-ish or is it for a new audience who does not know the original? Unsurprisingly, Freakier Friday tries to balance the two, satisfying both audiences without being wholly for either one. The original succeeded because of the cast and getting the exact same cast is a win for elder millennials.		2025 Directed by: Nisha Ganatra Screenplay by: Jordan Weiss, Elyse Hollander and Mary Rodgers Starring: Lindsay Lohan, Jamie Lee Curtis

Magnetosphere: Movie Review

A good character with no plot.

A story of a 13-year-old girl growing up in a new town, with new friends, a first crush, a head full of insecurities and realizing she has synesthesia. Thirteen is probably one of the hardest ages to center a movie around, primarily because it’s the hardest age to get natural acting from; they’re old enough to be self-aware but not experienced enough to know how to turn that into playing a character in front of a camera.		2024 Directed by: Nicola Rose Screenplay by: Nicola Rose Starring: Shayelin Martin, Patrick McKenna

Follow (AKA: Juegos de Seducción): Movie Review

Staid, unoriginal and uninteresting.

Diego Boneta has returned to his native Mexico in this Spanish-language seduction thriller. Titled Follow in English, the Spanish title Juegos de Seducción translates to “Seduction Games” which at least makes sense in addition to being a much better title. But this movie also doesn’t concern itself with what is good, or better, or makes sense. The plotline of a handsome con artist who scams wealthy women but may have found his match is about as lazy as they come.		2025 Directed by: Gonzalo Tobal Screenplay by: Hipatia Argüero Mendoza, and Adriana Pelusi Starring: Diego Boneta, Martha Higareda

Don't Log Off: Movie Review

Mystery, tension and humour all used to great effect in this pandemic horror.

Don’t Log Off is a COVID-set horror/thriller, and we’re talking early pandemic. Five years ago can seem like such a long time ago right now, so this can feel a little dated. The setting is arguably an easy excuse for the virtual set-up and why the whole group of friends who live in the same city are on-line and not in-person. But whether you consider this gimmicky or not, it works.		2025 Directed by: Brandon Baer, Garrett Baer Screenplay by: Brandon Baer, Garrett Baer Starring: Kara Royster, Khylin Rambo, Luke Benward, Ariel Winter

Singing in My Sleep: Movie Review

An enjoyable journey through song and complicated emotions.

A sweet, thoughtful and tender portrait of a young woman struggling to make it as a musician in the shadow of her famous father. Charlotte Lakes (Jessica Belkin) is the daughter of Jack Lakes, a successful rock star with one album who would have just faded away into obscurity but instead he died at the height of his fame, so now eight years later he’s a cult icon and Charlotte cannot escape his presence.		2025 Directed by: Nick Wilson Screenplay by: Nick Wilson Starring: Jessica Belkin, Jacob Brand, Malin Akerman and Gavin Leatherwood

Nuked: Movie Review

A chaotic comedy that fizzles away its potential.

Let’s start with the cast, headlined by a dark-haired Anna Camp wearing electric blue eyeshadow playing a sex podcast host who’s turning 40 and married to her husband for 20 years. If you didn’t realize how long ago Pitch Perfect was, that sentence should clear that up. The Hangover alum Justin Bartha plays husband Jack, a quieter unassuming schoolteacher. They are joined by six friends for their birthday party which may or may not be their last night on Earth.		2024 Directed by: Deena Kashper Screenplay by: Danny Kashper, Deena Kashper Starring: Justin Bartha, Anna Camp, Lucy Punch, Tawny Newsome and Ignacio Serricchio

Forgive Us All: Movie Review

Western-horror with intriguing set-up but minimal story.

Forgive Us All is a New Zealand made western-horror drama set in a post-apocalyptic world where a virus has wiped out mankind turning humans into cannibalistic zombies. It’s interesting at times but also strange and has a hard time turning its theme into something compelling. Rory (Lily Sullivan) is bloody, sweaty and shaking with anger, fear and grief after just burying a family member.		2025 Directed by: Jordana Stott Screenplay by: Lance Giles, Alex Makauskas, Jordana Stott Starring: Lily Sullivan, Lance Giles

Almost Cops: Movie Review

An Americanized, bastardized version of the buddy copy action comedy with bad writing, bad acting and bad jokes..

In the Netherlands, the tile is “Bad BOA’s” where BOA is an acronym from the Dutch for a type of law enforcement officer. It is meant to make you think of Bad Boys even though Netflix changed the English title to Almost Cops. Whether they change the title or not, this movie is still a lazy knock-off of a mix between Bad Boys and 21 Jump Street.		2025 Directed by: Gonzalo Fernandez Carmona Screenplay by: Kenneth Asporaat, Michel Bonset, Murth Mossel Starring: Werner Kolf, Jandino Asporaat

Brick: Movie Review

Smart and engaging thriller that lets in too much nonsense.

The German Netflix thriller Brick takes a smart, simple premise, builds something unique and engaging, and then temporarily goes insane before getting back to the only possible ending. What I love about movies like this is how unique and universal it is at the same time; it’s original and can appeal to anyone around the world. And it starts very strong with two characters fully defined within minutes and then suddenly locked in with no explanation.		2025 Directed by: Philip Koch Screenplay by: Philip Koch Starring: Matthias Schweighöfer, Ruby O. Fee

Pretty Thing: Movie Review

Illogical trash dressed up as artistic.

Movies where an older woman has an affair with a younger man that turns into an obsession is not a new genre. There are dozens of movies literally named "Obsession" that are exactly this. I am concerned though that Babygirl’s recent success both at the box office and with critics, will spurn more terrible movies like Pretty Thing that attempt to elevate the genre in ways that just don’t work.		2025 Directed by: Justin Kelly Screenplay by: Jack Donnelly Starring: Alicia Silverstone, Karl Glusman

A Machu Picchu Proposal: Movie Review

Poorly written characters thrown together in beautiful Peru.

A Machu Picchu Proposal features some poorly written characters and a lot beautiful Peruvian landmarks and landscapes. Katie (Rhiannon Fish) is a no-nonsense, everything is planned, type of girl, a very prototypical Hallmark heroine, but here she is joined by twin brother Dan (Christopher Vieira), who is exactly the same. There are two characters whose entire personalities are that they like plans and schedules and hates impulsiveness.		2025 Directed by: Colin Theys Screenplay by: Juliana Wimbles Starring: Rhiannon Fish, Alec Santos

Off the Grid: Movie Review

About nothing so can’t be anything more than an action movie.

Off the Grid is about nothing. The plot summary has a pretty detailed premise: a scientist working for a company who wants to weaponize his research so he steals it and goes into hiding off the grid. It’s a solid premise with some good characters, but the problem is there is more information provided in that sentence than there is in the entire movie. So it’s about nothing.		2025 Directed by: Johnny Martin Screenplay by: Jim Agnew Starring: Josh Duhamel, Greg Kinnear

The Stranger in My Home: Movie Review

Trashy twists that actually lead to a happy ending.

The Stranger in My Home is the same team behind The Image of You (a campy trashy thriller about identical twins, schizophrenia and murder) by novelist Adele Parks and director Jeff Fisher. This one, a dramatic thriller about daughters switched at birth, is definitely the same genre, but a bit more grounded and while the twists do threaten to overshadow the drama, there are some solid developments as well.		2025 Directed by: Jeff Fisher Screenplay by: Adele Parks, Chris Sivertson Starring: Sophia Bush, Amiah Miller, Chris Carmack, and Chris Johnson

Villa Amore: Movie Review

A lovely romance that gets the details right.

Sometimes Hallmark gets the little details right, and it is such a breath of fresh air when that happens. The Villa Amore filmmakers did their homework, and got all the details right – taking a real Italian initiative and turning it into as realistic a romance as possible (for the genre). You have to allow for some movie-only characters but the plot is reasonable that everything just easily falls into place.		2025 Directed by: Clare Niederpruem Screenplay by: Alexandre Coscas, Nick Hopkins, Tim James Starring: Eloise Mumford, Kevin McGarry

Don't Tell Larry: Movie Review

Dark comedy with some laughs and some extreme contrivances.

Don’t Tell Larry is an Office Space-esque dark comedy, like a cross between The Office meets Borderline. It’s not nearly as sharp as Office Space, not nearly as funny, so it does fall flat in comparison, but this is still a well made, reasonably funny dark tale about how a weird co-worker accidentally sends a pair of ambitious co-workers on a crime spree with way more dead bodies than there should be.		2025 Directed by: Greg Porper, John Schimke Screenplay by: Greg Porper, John Schimke Starring: Patty Guggenheim, Kiel Kennedy

Band on the Run: Movie Review

Indie music meets unpleasant relationship drama.

The indie music scene from 1999 meets the road trip dramedy. Band on the Run does try to liven up the tired road trip and the dysfunctional relationships found therein by pairing it with an invite to the South by Southwest Music Festival in Austin, Texas and a rivalry with another local band, but most of the movie is not the music, most of the movie is the father-son relationship which is uninteresting and not enjoyable to watch.		2025 Directed by: Jeff Hupp Screenplay by: Jeff Hupp, Colby Clayton Lemaster Starring: Matt Perl, Larry Bagby

Spark: Movie Review

A time loop stuck on uninteresting relationship dynamics.

Spark sees Aaron (Theo Germaine) hit it off with a complete stranger as part of a bizarre birthday party scavenger hunt, but then after that initial spark, he relives the same day over and over again. Stuck in a time loop, Aaron is determined to figure out why – why Trevor and why himself. Maybe it’s the increasing commonality of the genre, but the characters just keep getting weirder and weirder.		2024 Directed by: Nicholas Giuricich Screenplay by: Nicholas Giuricich Starring: Theo Germaine, Danell Leyva

Things Like This: Movie Review

A charmless, soulless, meaningless rom-com.

Is Things Like This supposed to be about how overweight gay guys can find love too? Or is it about how insufferable assholes can find love? It’s a choice to make your lead character extremely rude to strangers and friends alike and then complain that he’s single because of his appearance. His boyfriend in the opening scene says he’s breaking up with him because he’s not hot enough and then corrects himself that it’s because he’s not hot enough and has a terrible personality.		2025 Directed by: Max Talisman Screenplay by: Max Talisman Starring: Max Talisman, Joey Pollari

F Plus: Movie Review

Smart kids dream up stupid plans.

A heist movie for middle school kids, or also known as the genre where kids outsmart and out-bully the teachers. A genre that can be a lot of fun when done right, or comes across as painfully stupid when not done right, and F Plus falls on the stupid side way too often. Starting with the title, F+ is not a real grade and yet all the smartest kids in school decided it was.		2025 Directed by: Kenny Beaumont Screenplay by: Jonathan Davenport Starring: Jennifer Esposito, Wells Rappaport

Worth the Wait: Movie Review

Tonally-wrong dramedy about boring relationships.

Worth the Wait is a multi-relationship dramedy with intertwining stories. All of the main characters are Asian-American with relationship problems. It’s great representation as there are no stereotypes to be found. There are also no interesting characters to be found, and to make it worse, the better actors have awful characters including some typecasting. The film also struggles with juggling between comedy and drama – attempts at silly comedy back-to-back with grief-stricken scenes of tragedy. Relationship dramedies are not supposed to be this hard to watch.		2025 Directed by: Tom Lin Screenplay by: Maggie Hartmans, Dan Mark, Rachel Tan Starring: Lana Condor, Ross Butler

Love in the Clouds: Movie Review

Stupid, soulless, boring and illogical.

The star of Hallmark movies is almost always the romance, when a lovely relationship develops between two mature and thoughtful adults. But when the rest of the movie is a soulless, bland, boring, illogical, immoral, and a completely thoughtless adventure in nonsense, it’s impossible to get swept up by the love between a reporter and a hot air balloon pilot.		2025 Directed by: Larry A. McLean Screenplay by: Lisa Hepner Starring: McKenzie Westmore, Paul Greene

Greek Mothers Never Die: Movie Review

A comedy about Greek mothers and daughters and their ghosts.

Greek Mothers Never Die is an indie rom com, turned comedy, turned fantasy, turned drama about grief and tragedy, turned musical. Or something like that, with a few coming-of-age themes thrown in for good measure. It’s mostly well produced indie production that knows the story it wants to tell but at the same time needs way too many ideas to tell that story. A story about Greek mothers and daughters and boyfriends and ghosts.		2025 Directed by: Rachel Suissa Screenplay by: Rachel Suissa Starring: Abby Miner, Simon Rérolle, and Rachel Suissa

Bad Influence (AKA: Mala Influencia): Movie Review

Could have been sexy and romantic, instead it’s campy and stupid.

What we have here is an “opposites-sides-of-the-tracks” romance, which typically works much better as romantic dramedy, and could theoretically work as an erotic thriller that Bad Influence is aiming for. When it works, it’s a sexy, intriguing romance. When it doesn’t work, it’s an over-wrought campy thriller with an under-developed screenplay, tacky editing, and poorly written characters. And man, I really wanted this to work.		2025 Directed by: Chloé Wallace Screenplay by: Chloé Wallace, Diana Muro Starring: Alberto Olmo, Eléa Rochera

Off the Record: Movie Review

A slow and poorly focused music drama eventually comes into its own.

Off the Record is the type of movie that could do very poorly with a misperception of its genre. A quick glance at the poster, plot summary and the cast – Ryan Hansen and Rainey Qualley (sister of current it-girl Margaret Qualley) – and one is entering the movie mistakenly assuming it’s a music industry romantic comedy. A costly mistake since this is absolutely not a comedy, but a drama warning about the misogynistic, cut-throat dangers of the music industry hiding amongst the dangers of an abusive relationship.		2024 Directed by: Kirsten Foe Screenplay by: Kirsten Foe Starring: Rainey Qualley, Ryan Hansen

California King: Movie Review

Fun, enjoyable and convoluted.

California King is a well-made indie crime-comedy that has a stellar set-up but gets a little muddled and off the rails in the middle. Our central character is fantastic: Perry (Travis Bennett) manages a mattress chain store in the small town of Nice, California. Perry is smart, friendly and easy-going, maybe too easy-going as he employs his best friend and incompetent moron Wyatt (Jimmy Tatro) and has done nothing for years about his unrequited crush on Lynette (Victoria Justice).		2025 Directed by: Eli Stern Screenplay by: Eli Stern Starring: Travis Bennett, Jimmy Tatro, Victoria Justice, and Joel McHale

The Life List: Movie Review

Ignore the premise, enjoy the romance.

The Life List is a simple lightweight romantic drama about helping a young woman out of a life rut. Part of my issue with the film is who says Alex (Sofia Carlson)’s life is in a rut? Well, her family, often and repeatedly, they offer this very odd ‘you’re not good enough’ lecture to her everyday. Personally I don’t think it’s for them to decide, but also if you’re going to always tell someone they suck, they are absolutely going to take that to heart and think of themselves as a failure, so really this all her family’s fault.		2025 Directed by: Adam Brooks Screenplay by: Adam Brooks, Lori Nelson Spielman Starring: Sofia Carlson, Kyle Allen

The 8th Day: Movie Review

Some interesting character developments, but very little action.

The 8th Day is primarily billed as an action movie, which is incorrect. It’s a pure crime drama with a touch of comedy. It has also been billed as a heist story with a female voice, and while this is definitely true, it can give away the ending when viewed from the female characters. A lot of this movie does look like every other crime drama, but it does have a slightly different flavour to make it a bit more compelling.		2025 Directed by: Alexandra Chando Screenplay by: Suzanne Weinert Starring: Darren Mann, Phoebe Tonkin

Borderline: Movie Review

Horror comedy which tries to balance fun and insanity.

Borderline fits right in line with the recent romantic comedy-esque horror movies like Companion and Heart Eyes. Although in this case the romance is all in the head of one deranged superfan, the comedy and horror elements are all front and center. Samara Weaving stars as Sofia, a rich and famous popstar whose cushy life has a rude and violent awakening and when one fan can’t take no for an answer, so instead she’s going to have to say, “I do.”		2025 Directed by: Jimmy Warden Screenplay by: Jimmy Warden Starring: Samara Weaving, Ray Nicholson

Candlewood: Movie Review

Creepy, unfocused and unlikable.

Filmed on location in New Milford, Connecticut, Candlewood is supposed to be about the real urban legends which haunt Candlewood Lake. It’s a human-made lake from the 1920s which included flooding over a town. With that type of backstory, the urban legends and ghost stories that exist are unsurprisingly endless, most of which would make for a fascinating horror movie. But Candlewood isn’t really about any of those urban legends, it’s just about an unlikable family that goes insane.		2025 Directed by: Myke Fuhrman Screenplay by: Veronica Flores-Argue, Joseph Patrick Conroy Starring: Joel Bryant, Lisann Valentin, Isabel Lysiak, Coulter Ibanez

F*** Marry Kill: Movie Review

A campy murder mystery thriller with some fun.

There’s a very difficult line to balance between pure camp and a mash-up between romantic comedy and murder mystery thriller, and F Marry Kill struggles for the entire length of the movie. It often veers into camp despite multiple efforts to be a more legitimate comedic thriller. When the main character is constantly debating whether or not her dates are marriage material or a serial killer, it’s kind of destined to be the exact level of camp it ends up as.		2024 Directed by: Laura Murphy Screenplay by: Ivan Diaz, Dan Scheinkman, Meghan Brown Starring: Lucy Hale, Brooke Nevin, Virginia Gardner

Picture This: Movie Review

Focuses on family and Indian culture instead of romance and comedy.

As a romantic comedy, Picture This is light on the romance and sometimes funny. But Simone Ashley shines as photographer Pia, a single, independent, career-focused young woman who is one of the best heroines this genre has seen. The film gets off on the right foot, even though Pia doesn’t, when she has to hightail it out of her studio pulling on soccer shorts and flip flops which she loses one of on her way to a secretive meeting with her mother at the bank.		2025 Directed by: Prarthana Mohan Screenplay by: Nikita Lalwani Starring: Simone Ashley, Hero Fiennes Tiffin

The Stress is Killing Me: Movie Review

A complete lack of logic derails this comedy before we get to the thoughtful ending.

Not immediately clear from the plot description is just how much nonsense and complete lack of logic is going on here. We have eight friends from college, who were apparently best friends at the time of graduation but then most (all but two) went their separate ways and are meeting up now, twenty years later. The opening scene is just a montage of the actual reunion – a barbecue, some food, some games, lots of talking and laughing.		2024 Directed by: Tom Carroll Screenplay by: Tom Carroll Starring: Carly Christopher, Grayson Berry

Last Breath: Movie Review

Limited in scope, Last Breath sticks to the true story.

Last Breath is based on a harrowing true story of a deep-sea diver. The film is brought to life by filmmaker Alex Parkinson, who also made the 2019 documentary Last Breath. This is not a particularly well-known incident but Chris Lemons, a North Sea diver who miraculously survived a tragic mishap, has written about and talked about his experiences extensively so it’s easy to find and learn more either before or after watching the movie.		2025 Directed by: Alex Parkinson Screenplay by: Mitchell LaFortune, Alex Parkinson, and David Brooks Starring: Woody Harrelson, Simu Liu, Finn Cole

Morningside: Movie Review

Primarily about nothing, but also that violence is bad.

Small Canadian indies rarely get theatrical releases, so I want to support Morningside but are they ever making that hard. It’s a tragic drama about nothing. That’s a slight exaggeration on my part, the beginning is about gentrification and the ending is about senseless violence and systemic racism within police departments, but the full hour and a half in the middle is about nothing. The entire movie is establishing a dozen nondescript boring characters just for something to finally happen at the very end.		2025 Directed by: Ron Dias Screenplay by: Ron Dias, Joanne Jansen Starring: Alex Mallari Jr., Kiki Hammill

The Bayou: Movie Review

Some fun and a lot of bad ideas found in the Louisiana bayou.

Produced and filmed in England, The Bayou filmmakers took the only the two things they know about the southern US and turned it into a movie: gators and drugs. It’s not supposed to be a comedy, but it would be decidedly better if everything was played up for laughs like a horror-comedy instead of the thriller-drama that it’s supposed to be. Most jump scares are met with laughs instead of screams partly because you can’t take these characters seriously and the gators definitely become a bit far-fetched.		2025 Directed by: Taneli Mustonen, Brad Watson Screenplay by: Ashley Holberry, Gavin Cosmos Mehrtens Starring: Athena Strates, Madalena Aragão